Portfolio Number One. Echaurren, R. S. M. “Albergo Monte Tauro a Taormina.” L’Architettura 19 (October 1973): 288–303. Desde el Cuerpo – Colección Santa Cruz – Yaconi, Museo de Artes Visuales, Santiago, June 28–September 1, 2002. Matta: Le Dos du Dé, Galerie Samy Kinge, Paris, June 10–July 30, 1980. Paris: Daniel Malingue Gallery, 2004. Roberto Matta, Paintings and Drawings, 1937–1959, Latin American Masters Gallery, Beverly Hills, April 5–May 30, 1997. (Brochure), Matta: Ubu Roi, Galerie Arenthon, Paris, February 23–March 12, 1983. In 1933, Matta went to work for Le Corbusier in Paris, where his interest turned to painting. Lisbon: Centro Cultural de Bélem, 2000:100, illustrated. Burr, J. La Jolla: Institute of the Americas, La Jolla, 2003. Düsseldorf: Kunstverein fur die Rheinlande und Westfalen Kunstverein fur die Rheinlande und Westfalen, 1963. Sebastian Matta: Mostra Antologica in Bologna, Museo Civico, Bologna, Italy, May–June 1963. Jouffroy, Jean-Pierre. Rousseau, Redon and Fantasy, The Solomon R. Guggenheim Museum, New York, May 30–July 21, 1968. Matta, Saby, Sanartu, Peverelli, Tanguy, Hiquily, César, Galerie du Dragon, Paris, July 1958. Seven Decades, 1895–1965: Crosscurrents in Modern Art, Pierre Matisse Gallery, New York, April 26–May 21, 1966. New York: Pierre Matisse Gallery, 1942. Kansas City, Missouri: The Nelson-Atkins Museum of Art, 2008: 211, illustrated. El Surrealismo y Su Evolución, Galería Theo, Madrid, May 27–June 1982. Arcane 17. Matta in the 1950s and 1960s (exhibition catalogue). Matta: Paintings and Drawings (exhibition catalogue). Schatten van het Surealisme/Trésors du Surréalisme, XXIe Festival Belge d’Été, Casino Communal, Brussels, June–September 1968. Paris: Seuil Editions, 1959. Twentieth Century Master on Paper, Robert Elkon Gallery, New York, October 2–September 12, 1976. (Catalogue; texts by Achille Bonito Oliva and Italo Calvino), Roberto-Sebastian Matta: Architecture du Temps, Theatre d’Ivry, Ville d’Ivry sur Seine, France, January 16–February 14, 1982. (Catalogue; text by the artist). Part 2: From Pollock to Pop, Op and Sharp-Focus Realism, Sidney Janis Gallery, New York, March 13–April 13, 1974. 125 (May 1965): 42, illustrated. Bologna: Museo Civico, 1963. Matta, para que la libertad no se convierta in estatua (exhibition catalogue). Matta: Paintings 1950–1960, Totah-Stelling Gallery, New York, January 18–February 22, 1986. Colección Costantini, Museo Nacional de Arts Visuales, Montevideo, Uruguay, August 29–September 29, 1996. Paris: Galerie Verrière, 1971. (Catalogue), Matta, Galleria Schneider, Rome, February 5–16, 1954. L’Art á l’Assaut du Ciel, Salle des Fêtes, Châtillon¸ France, January–February 1970. Matta, Alexander Iolas Gallery, New York, April 14–May 30, 1964. Das Kunstwerk 35 (October 1982): inside cover, illustrated. XXXII Biennale Internazionale d’Arte di Venezia Arte d’Oggi nei Musei, Pavillon Central, Venice, June 20–October 18, 1964. (Catalogue), Matta: Sculptures 1959–1960, Allan Frumkin Gallery, Chicago, and Allan Frumkin Gallery, New York, December 1964–January1965. Introduction by L. Laureati. Text by Olivier Malingue. Mattaet l”Espace Laitno-Américain, Espace Latino-Américain, Paris, June 7–July 7, 1982. Études et Épures, Galerie Henri Creuzevault, Paris, May 30–June 30, 1972. Text by Nathalie Ergino. Antagonismes, Musée des Arts Décoratifs, Paris, February 1960. Matta: 1956–1973, Iolas & Jackson Gallery, New York, January–February 9, 1979. Matta: Oeuvres 1950–1960, Galleria Seno, Milan. (Catalogue), Matta: Skulpturen Bilder, Gimpel & Hanover Galerie, Zurich, November 3–December 7, 1964. Matta: Paintings, Pierre Matisse Gallery, New York, November 4–22, 1947. Cambridge, Massachusetts: The MIT Press, 1995. Milwaukee, Wisconsin: The Patrick and Beatrice Haggerty Museum of Art, Marquette University, 1997. L’Oeil (Lausanne, Switzerland), no. Matta, Galería Klemm Arte Contemporáneo, Buenos Aires, April 8–May 12, 1992. Artnet News, 7 March 2017. https://news.artnet.com/exhibitions/gallery-hopping-roberto-mattarobilant-voena-876914, Duponchelle, Valérie. French Modern Paintings, Pierre Matisse Gallery, New York, October 7–November 1, 1941. “Interview with Matta.” In El quijote de Matta: 1605–1985. Jean, Marcel. 4–5 (1953): 11–12. for more information on works by these artists, please email firstname.lastname@example.org. “School of Paris comes to the U.S.” Decision 2, no. Iolas Gallery exhibition review. Art News 77 (October 1978): 142, illustrated. Traces du Sacré, Centre Pompidou, Musée National d’Art Moderne, Paris, May 7–August 11, 2008. Art in America 71 (April 1983): 43, illustrated. Interview between Matthew Spender and Marc Glimcher. 50 Years at Pace, The Pace Gallery, 32 East 57th Street, New York, September 17–October 23, 2010. Traveled to: Kunsthaus, Vienna, November 29–February 1992. Davidson, Susan. Matta, Monachesi, Pignon, Galleria La Gravida, Rome, April 20–May 5, 1983. Miami: ArtDC, 2007. Artforum 54, no. gallery shop blog . Paris: Maison de L’Amérique latine, 2011: illustrated. Beyond Painting and Other Writings by the Artist and Friends. La Jolla, California: Tasende Editions, 1980. A New Spirit in Painting, Royal Academy of Art, London, January 15–March 18, 1981. New York: Joseph Nahmad Contemporary, 2012: , illustrated. Los Angeles: Margo Leavin Gallery, 1995. (Catalogue). As a member of the Surrealist movement and an early mentor to several Abstract Expressionists , Matta broke with both groups to pursue a highly personal artistic vision. (Catalogue). (Catalogue), Matta: Centenario 11.11.11, Centro Cultural Palacio La Moneda, Santiago, Chile, November 11, 2011–February 26, 2012. Washington, D.C.: National Gallery of Art, 2009: 53, no. Traveled to: Seattle Art Museum, April 29–July 4, 1981; San Diego Museum of Art, July 24–September 19, 1982; The Nelson Gallery/Atkins Museum, Kansas City, October 21–December 10, 1982. Texts by Dominique Bozo, Octavio Paz, William Rubin et al. (Catalogue), Matta: New Paintings, Sidney Janis Gallery, New York, January 3-31, 1955. (Catalogue; text by André Breton). Like Salvador Dalí’s The Persistence of Memory (1931), Crucifiction (1938) by Chilean painter Roberto Matta is considered a Surrealist masterpiece. Sam Gilliam's Latest: A Roundtable Conversation, Barbican Presents "Jean Dubuffet: Brutal Beauty", Between Images and Abstraction: A Conversation Among Artists Inspired by the Work of Jo Baer, Renewing a Masterwork: In Support of Nevelson Chapel. Roberto Matta, Trois Invisibles, 1987, oil on canvas, 49-1/4" × 63-1/8" (125.1 cm × 160.3 cm) © 2019 Artists Rights Society (ARS), New York, Roberto Matta, Untitled, 1988, oil on canvas, 55-1/8" × 53-1/8" (140 cm × 134.9 cm) © 2019 Artists Rights Society (ARS), New York, Born 1911, Roberto Matta Echaurren, Santiago, Chile, 1932, Catholic University of Santiago, Architecture degree. Le surréalisme et la peinture. Bologna contemporanea, Galleria d’Arte Moderna di Bologna, Italy, May 19–September 11, 2005. London: Gimpel Fils, 1965. Apprentices with modernist architect Le Corbusier. Surrealism: New Worlds, Weinstein Gallery, San Francisco, December 10, 2011–January 28, 2012. Texts by Sarah H. Beckjord, Elizabeth T. Goizueta, Mary Schneider Enriquez, et al. Et Udvalg of Asger Jorn’s Samlinger/Selected Works from the Aster Jorn Collection, Silkeborg Kunstmuseum, Silkeborg, Denmark, 1973. Diálogos: Arte Latinoamericano del siglo XIX y XX – Colección Cisneros de Venezu, Museo Nacional de Bellas Artes, Santiago, November 24, 2004–February 28, 2005. Ferrara: Galleria Civica d’Arte Moderna, 1973. (Catalogue). Cologne: Verlag M. Dumont Schauberg, . Surrealism, The Tokyo Schimbun, Tokyo, 1983. Yokohmama: Yokohama Museum of Art, 1994. Alvard, J. Havana: Galería Latinoamericana, 1967. Matta: Dessins 1936–1989 (exhibition catalogue). L’Art en Soie, Musée des Arts Décoratifs, Paris, January 14–30, 1982. Guggenheim International Award 1964, The Solomon R. Guggenheim Museum, New York, January 16–March 9, 1964. “Un Comitat de Salute Poetico.” Rinascita (June 1967). Rocca albornoziana, 1999. Oviedo, Spain: Obra Social y Cultural, Caja de Ahorros de Asturias, 1992. Crosscurrents of Modernism: Four Latin American Pioneers: Diego Rivera, Joaquín Torres-García, Wifredo Lam, Matta (exhibition catalogue). Paris: Galerie Claude Bernard, 2000. Leckerbissen, Fischerplatz Galerie, Ulm, Germany, January 28–April 30, 2003. Painting Toward Architecture. Art News 79 (September 1980): 157, illustrated. Peintures, Sculptures, Objects, Galerei Creuzevault, Paris, 1965. 1025 e walnut st columbia, mo 65201 573.442.4831. email@example.com April 20–May 19, 1968. 4389 Bayfield St Malton, Ontario L4T 1A9, Canada. Matta, Galería Rayvela, Madridi, March 1979. Text by Martica Sawin. Un Group 1965, Musée d’Art Moderne de la Ville de Paris, 1965. Margo Leavin Gallery: 25 Years. Text by Will Grohmann. Paris: Galerie de France, 1990. First Papers of Surrealism (exhibition catalogue). The 1958 Pittsburgh International Exhibition of Contemporary Painting and Sculpture, Department of Fine Arts, Carnegie Institute, Pittsburgh, December 5, 1958–February 8, 1959. (Catalogue), Matta: Obra Gráfica, Fundación Pablo Ruiz Picasso, Museo-Casa Natal, Málaga, June 24–August 29, 1999. Texts by Georges Sebbag, André Breton, Luce Hoctin, Octavio Paz, Alain Jouffroy, Patrick Waldberg, Matta, Édouard Glissant, and Paul Haim. Simon, Sidney. (dessins), Galerie Magda Danysz, Paris, September 11–November 6, 2004. Berkeley and Los Angeles, 1968. “The Surrealists in New York.” Commentary (October 1981): 44–54. Raynor, V. “Exhibition at Iolas Gallery.” Arts Magazine 38 (September 1964): 71. Matta, Galleria del Secolo, Rome, March 1950. Kassel: P. Dierichs, 1977. Incisiones – Colección Santa Cruz – Yaconi, Museo de Artes Visuales, Santiago, March 18–June 25, 2006. Medina, Alvaro. La Nouvelle Biennale de Paris, La Grande Halle de la Villette, Paris, March 21–May 21, 1985. 215 (November 1972): 35, illustrated. Roberto Sebastián Matta (Santiago, Chile, 1911 - Civitavecchia, Italy, November 23, 2002), studied architecture and interior design at the city’s Catholic University. Matta, Allan Frumkin Gallery, Chicago, November 1954. Chaigneau). Documenta ’59: Kunst nach 1945: Malerei, Skulptur, Druckgrafik. The Irrational and the Marvelous, Des Moines Art Center, Iowa, December 8, 2017–March 25, 2018. 1 (February 1944): 15–29, illustrated. (Catalogue). 46 (September 1976): 136, illustrated. Matta: Zeichnungen 1937–1988 (exhibition catalogue). “The Greatness of Matta” (The Pace Gallery exhibition review). Hobbs, Robert Carleton, and Gail Levin. Glissant, Edouard. Milan: Galleria Alexandre Iolas, 1969. Breton, André. (Catalogue; texts by the artist, Maurizio Valenzi, and Dario Micacchi), Sport: Amoci, Nei Mascolo, Misculo, Musculo, San Pancrazio, Tarquinia, Italy, June 1981. 23, 2006 CA 94103 ( 415 ) 362-8151 Contact Us © 2020 Weinstein Gallery, New:. Progressive Architecture 56 ( September 1971 ): 29, illustrated Leisure &:... Ferrara, November 29–February 1992 4–24, 1996 mattaet l ” Espace Laitno-Américain, Espace Marcel Chauzy Bondy. Arts Center, London, June 4–July 1, 1984–January 19,.! 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